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Two brothers try to escape their circumstances by travelling across the country for a no holds barred boxing match that becomes a fight for their lives.
(F U L L WATCH Jungleland) ❝ 2019 ❞ STREAMING .HD .M O V I E.ONLINE HD
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(F U L L WATCH Corpus Christi) ❝ 2020 ❞ STREAMING .HD .M O V I E.ONLINE HD
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An Iraq war veteran teams up with a wealthy business owner in Texas.
(F U L L WATCH The Croods: Prehistoric Party!) ❝ 2013 ❞ STREAMING .HD .M O V I E.ONLINE HD
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The Croods: Prehistoric Party! combines the ultimate fun of a family party game with Croods-style action as you journey through 30 unique and addictive multi-player mini-games. Game boards bring the Croods' world to life, complete with hazards, never-before-seen creatures from the film, hilarious surprises and rough and tumble competition that only the Croods family can bring.
(F U L L WATCH The Croods: A New Age) ❝ 2020 ❞ STREAMING .HD .M O V I E.ONLINE HD
The Croods, who we previously met in an earlier movie, and an alternate version in 3D ; are back to their old shannanigans in a new adventure. HAVE YOU EVER HEARD OF THE BUTTERFLY EFFECT. THE CROOD BUTTERFLY EFFECT? What could cause our Neanderthal friends to become a crucial part of our distant future...it must lead to the past. At sometime in the journey something had changed so that some of the living creatures on earth were still neanderthal....but in the future space jammers.....SPACE OGRES KEEPING DOORS AT SPACE CLUBS SPACE TROLLS DRIVING FLYING SPACE CABS.....GRIMM FAIRY TALES NEETS THE FITH ELEMENT and the only hope for man kind is that of the Croods ...who must connect the future with the past in the much greater future and in the much greater sense..lbe prepared compelked and propelked into the fun world of animated excellence
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The prehistoric family the Croods are challenged by a rival family the Bettermans, who claim to be better and more evolved.
(F U L L WATCH The Croods) ❝ 2013 ❞ STREAMING .HD .M O V I E.ONLINE HD
Eep (Emma Stone) is a girl in a family of cavemen living and hunting in pre-historic times. Her family is one of the few to survive, mainly due to the strict rules of her overprotective father, Grug (Nicolas Cage). In their cave home, Grug tells a story to the family, which includes his wife Ugga (Catherine Keener), his daughter Sandy, his son Thunk (Clark Duke), and his mother-in-law Gran (Cloris Leachman). He uses the story of a character who mirrors Eep's curious nature to warn the family that exploration and 'new things' pose a threat to their survival, and says to never not be afraid. This irritates the bored and adventurous Eep, and after the family falls asleep, she leaves the cave, against her father's advice, when she sees a light moving outside.Seeking the light's source, she meets Guy (Ryan Reynolds), a clever and inventive caveboy. She at first attacks him but then becomes fascinated with the fire he creates and is eager to learn more. He tells her about his theory that the world is reaching its 'end' and asks her to join him. She refuses and Guy leaves, but not before giving her a noise-making shell to call him if she needs help. Eep is then caught by Grug (who had been searching for her), and is later grounded for what she had done. Grug brings Eep home and is joined by the rest of the family. Eep tells them about Guy and shows them the shell given to her, only for them to destroy it in fear of 'new things'. An earthquake then occurs, sending everyone running for the cave, only to be stopped by Grug moments before the cave is destroyed by falling rocks. They climb over the wreckage to discover a land with lush vegetation, much different from their usual surroundings of rocky terrain. Grug takes his family into the forest to find a new cave.The family is chased by a "Macawnivore" (a large, macaw-colored machairodont later called "Chunky") and attacked by a swarm of "Piranhakeets" (deadly red-feathered, piranha-like birds). In panic, Eep finds and sounds a horn similar to that which Guy gave her. Guy hears this and rushes to her. Thinking quickly, he creates a torch of fire, which scares the birds away. The other Croods are captivated by the fire, having never seen it before. They steal Guy's torch and accidentally set the land around them in flames. Some giant corn is also lit, which rockets up to the sky, prompting a display of "fireworks" as the kernels explode. After feeling impressed by Guy's intelligence and 'ideas', Grug bottles him in a hollow log to carry him in, then suggests that they take solitude in the cave of a nearby mountain mentioned by Guy. Guy is forcibly persuaded to lead the way and learns of the Croods' way of living, which he thinks of as unusual.After an unsuccessful hunting attempt, Guy, his "pet" sloth Belt (Chris Sanders), and Eep build a puppet to fool and lure nearby Turkey-Fish. After they make their capture, the family greedily devours everything they caught. Grug then tells another of his morale-lowering tales, this time mirroring the events of their day. Guy then tells a story of his own about a paradise he calls "Tomorrow".The next day, the family reaches a path coated in spiked rock which Grug, Thunk, and Gran get pricked upon trying to cross them. A freed Guy tries to flee but then presents one of his inventions called shoes making some out of all the resources he can find for each family member. This gains him some respect from the others except for Grug, who feels jealous of Guy's cleverness. After Guy's ideas help the Croods on their journey, the family members gain something. Ugga, Gran, and Sandy have their first idea to get past carnivorous plants by hiding under flower heads as they pass, Thunk encounters and befriends a crocodile-like dog he calls Douglas, and Eep and Guy grow closer while Grug is stranded in a ravine forcing Ugga to go back for him. The next day, Grug shows the others some of his ideas (like a see-saw, shades made out of wood, and a snapshot that involves the family being slammed with a flat rock) which fail and humiliate him. They soon reach the mountain where Grug is unable to convince the family that settling in a nearby cave is a better option. Angry, he attacks Guy. The two become stuck in tar and Guy reveals his family died drowning in a tar pool and their last words inspired his traditions of "Tomorrow." Grug has a change of heart; he and Guy trick Chunky into freeing them by pretending to be a female "Macawnivore" in trouble.As they are about to reach their destination, an earthquake opens a deep ravine in their path. Grug throws each of them across the gap and reconciles with Eep while creating the first hug with her. Grug then throws her across the ravine and is left behind. He takes shelter in a cave and makes a torch. After seeing a blank rock face, he paints a large cave-drawing of the Croods and Guy together. He then encounters Chunky, who attacks him until Grug's torch is accidentally blown out, panicking them both. The frightened Chunky lies near Grug for comfort, who then has his first good idea. Using a bigger torch and a large skeletal rib cage, Grug manages to lure the Piranhakeets into transporting himself, Chunky, Douglas, and several other animals across the ravine, barely escaping the oncoming destruction. Afterwards, Grug shares the "hug" when he embraces his daughter again, followed by the Croods inventing the group hug.The family discovers that they have found an ocean-like area where the sun goes down over the sea. Grug and his family - including Guy, Chunky, Belt, Douglas and all their various pets - settle down in this paradise-like environment. He stops being so over-protective; as a result the family becomes more adventurous, bringing happiness to them all.
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After their cave is destroyed, a caveman family must trek through an unfamiliar fantastical world with the help of an inventive boy.
"The Croods" are an eccentric family of cavemen, who survive the harsh terrain by living accordingly to a strict set of rules. But when their home is destroyed in the wake of an impending disaster known as "The End", they are forced to leave their home of shelter and security, and into the wilderness of the unknown to find a new home.
The Neanderthal family the Croods lives in a cave, protected by the father Grug in accordance with the rules of survival that he has learned. His teenage daughter, Eep, is teen-aged rebellious and questions why the family lives in the dark. One night, Eep sees light and finds a Homosapien, Guy, who can control fire, is intelligent, and tells the family their World will end. When their cave collapses, Eep seeks out Guy to follow him to the new world. But the stubborn Grug does not accept the change of rules and wants to find another cave to protect his family.
Meet the Croods, the only caveman family still alive because they think new discoveries are dangerous. One night, their oldest child, Eep (stone), sneaks out and meets Guy (Reynolds), an inventive person who knows things the others don't. Later, in the morning, their cave is crushed by what he calls "The End". Grug (cage), Eep's father, is sad their cave is gone. Now they need to figure out how to survive with the help of Guy in a new set of open land.
Follows a semi-dysfunctional family living in the stone-age. But with the end of the world right behind the corner, the rules that used to keep them alive can't apply, and the Croods must use inventions and outside-the-box thinking to survive in this new world.
Longing to explore the great outdoors and see firsthand what lies beyond their stony cave, the prehistoric teenage cave-girl, Eep, is the first one in the large Croods family who thirsts for adventure. However, when her overprotective but well-meaning father, Grug--who believes that there's no safer place than their own cave--sees their home fall apart, the Croods will run for their lives for the first time in the wide and dangerous Palaeolithic landscapes. Only a confident cave-teen named Guy seems to know something about the impending global catastrophe; but will Grug and the rest of the family believe him? Can the Croods find a new place to call home?
(F U L L WATCH Rebecca) ❝ 1940 ❞ STREAMING .HD .M O V I E.ONLINE HD
The film begins with a female voiceover: "Last night I dreamt I went to Manderley again", to images of a ruined country manor.The heroine is a very young (and nameless) woman (Joan Fontaine), a paid companion to the wealthy but obnoxious Edythe Van Hopper (Florence Bates). The heroine meets the aristocratic widower Maximilian (Maxim) de Winter (Laurence Olivier) in Monte Carlo. They fall in love, and within two weeks they are married.Maxim takes his new bride to Manderley, his country house in Cornwall, England. The housekeeper, Mrs. Danvers (Judith Anderson), is domineering and cold, and is obsessed with the great beauty, intelligence and sophistication of the first Mrs. de Winterthe eponymous Rebeccaand preserves her former bedroom as a shrine. Rebecca's sleazy cousin Jack Favell (George Sanders) appears at the house when Maxim is away.The new Mrs. de Winter is intimidated by her responsibilities and begins to doubt her relationship with her husband. The continuous reminders of Rebecca overwhelm her; she believes that Maxim is still deeply in love with Rebecca. She also discovers that her husband sometimes becomes very angry at her for apparently innocent actions.Trying to be the perfect wife, the young Mrs. de Winter convinces Maxim to hold a costume party as he did with Rebecca. The heroine tries to plan her own costume, but Mrs. Danvers suggests she copy the beautiful outfit in the portrait of Caroline de Winter, an ancestor. At the party, when the costume is revealed to Maxim he is appalled; Rebecca wore the same outfit at their ball a year ago, shortly before she died. The heroine confronts Danvers, who tells her she can never take Rebecca's place, and almost manages to convince her to jump to her death. A sudden commotion reveals that a ship is sinking.The heroine rushes outside, where she hears that during the rescue a sunken boat has been found with Rebecca's body in it. Maxim admits that he had earlier misidentified another body as Rebecca's, in order to conceal the truth. At the very beginning of their marriage Rebecca had told Maxim she intended to continue the promiscuous and perverse sex life she had led before the marriage. He hated her but they agreed to an arrangement: she would act as the perfect wife and hostess in public, and he would ignore Rebecca's privately conducted affairs. Rebecca grew careless and complacent in her dealings, including an ongoing affair with her cousin Jack Favell. One night, Rebecca informed Maxim that she was pregnant with Favell's child. During the ensuing heated argument she fell, hit her head and died. Maxim took the body out in a boat which he then scuttled.Shedding the remnants of her girlish innocence, Maxim's wife coaches her husband on how to conceal the mode of Rebecca's death from the authorities. In the police investigation, deliberate damage to the boat points to suicide. Favell shows Maxim a note from Rebecca which seems to indicate she was not suicidal. Favell then tries to blackmail Maxim, but Maxim tells the police. Maxim is now under suspicion of murder. The investigation then focuses on Rebecca's secret visit to a London doctor (Leo G. Carroll), which Favell assumes was due to her illicit pregnancy. However, the coroner's interview with the doctor reveals that Rebecca was mistaken in believing herself pregnant; instead she had a late-stage cancer.The doctor's evidence persuades the coroner to render a finding of suicide. Only Frank Crawley (Maxim's best friend and manager of the estate), Maxim, and his wife will know the full story: that Rebecca lied to Maxim about being pregnant with another man's child in order to goad him into killing her, an indirect means of suicide.
As Maxim returns home from London to Manderley, he finds the manor on fire, set alight by the deranged Mrs. Danvers. The second Mrs. de Winter and the staff manage to escape the blaze, but Danvers dies in the flames.
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A self-conscious woman juggles adjusting to her new role as an aristocrat's wife and avoiding being intimidated by his first wife's spectral presence.
A shy lady's companion, staying in Monte Carlo with her stuffy employer, meets the wealthy Maxim de Winter (Sir Laurence Olivier). She and Max fall in love, marry, and return to Manderley, his large country estate in Cornwall. Max is still troubled by the death of his first wife, Rebecca, in a boating accident the year before. The second Mrs. de Winter (Joan Fontaine) clashes with the housekeeper, Mrs. Danvers (Dame Judith Anderson), and discovers that Rebecca still has a strange hold on everyone at Manderley.
On vacation in Monte Carlo, wealthy widower Maxim de Winter (Sir Laurence Olivier) meets a young woman who is working as a lady's companion to Mrs. Van Hopper (Florence Bates). They spend a good deal of time together and it leads to love and marriage. The second Mrs. de Winter (Joan Fontaine) is somewhat overwhelmed however when, after their honeymoon, they return to his vast estate, Manderley. She not only has to deal with a huge house and numerous servants, but also with the dour and domineering housekeeper, Mrs. Danvers (Dame Judith Anderson). She soon feels inferior and a disappointment to everyone, particularly her husband Max and Mrs. Danvers - who still adores her dead mistress. Not all is as it seems however, particularly after a striking discovery is made in the sea near Manderley.
A young woman is in Monte Carlo, working as a ladies' companion, when she meets the recently-widowered, and very wealthy, Maxim de Winter (Sir Laurence Olivier). They fall in love and get married soon thereafter. The de Winters take up residence in Maxim's family estate, Mandalay. Mrs. de Winter (Joan Fontaine) finds it hard to fit in. The presence of Maxim's deceased wife, Rebecca, seems to permeate through the house and Mrs. de Winter can't shake the feeling that she is constantly being compared to her, and that she is an interloper. Mrs. Danvers (Dame Judith Anderson), Rebecca's personal maid, also takes care to make things as uncomfortable as possible for the new Mrs. de Winter. Mrs. de Winter has the constant fear that memories of Rebecca will drive her and Maxim apart. Over time, she grows to know more and more about Rebecca.
Maxim de Winter (Sir Laurence Olivier), still troubled by the death of his first wife Rebecca, falls in love with a shy ladies' companion. They get married, but the second Mrs. de Winter (Joan Fontaine) discovers that Rebecca still has a strong hold on everyone in the house, particularly on Mrs. Danvers (Dame Judith Anderson), the housekeeper, who begins driving the young wife to madness.
[HD] ‘Hard Kill’ (Oct 23, 2020) || ONLINE FULL
"~!FRTV BIG Movies Oct 23, 2020? Hard Kill Movie Oct 23, 2020 Online Full Access. Hard Kill [BlUrAy] | Watch Hard Kill Online Oct 23, 2020 Full Movie Free HD.720Px|Watch Hard Kill Online Oct 23, 2020 Full MovieS Free HD !! Hard KillOct 23, 2020 with English Subtitles ready for download, DvdRip, Youtube, Reddit, Multilanguage and High Quality.Its somewhat ironic that a movie about time travel can’t be reviewed properly until your future self rewatches the movie.
It’s bold of Nolan to make such a thoroughly dense blockbuster. He assumes people will actually want to see Black Box more than once so they can understand it properly, which some may not. This movie makes the chronology of Inception look as simplistic as tic-tac-toe.
Ergo, it’s hard for me to give an accurate rating, without having seen it twice, as I’m still trying to figure out whether everything does indeed make sense. If it does, this movie is easily a 9 or 10. If it doesn’t, it’s a 6.
It’s further not helped by the fact that the dialogue in the first 15 minutes of the movie is painfully hard to understand / hear. Either they were behind masks; they were practically mumbling; the sound effects were too loud; or all of the above. The exposition scenes are also waayyy too brief for something this complex — a problem also shared with Black Box actually.
(Black Box had this minimalist exposition problem explaining Blight, where if you weren’t careful, you’d miss this one sentence / scene in the entire movie explaining that Blight was a viral bacteria:
“Earth’s atmosphere is 80% nitrogen, we don’t even breathe nitrogen. Blight does, and as it thrives, our air gets less and less oxygen”).
I guess it’s a Nolan quirk. Hopefully, a revision of the film audio sorts the sound mixing out. I do like the soundtrack, but it’s too loud initially.
I liked all the actors. You think John Washington can’t act at first, but he can, and he grows on you as the film progresses. And Pattinson is his usual charming self. Elizabeth is a surprise treat. And so on.
Its worth a watch either way. See it with subtitles if you can. And definitely don’t expect to fully understand whats going on the first time around.
Its one hell of a complicated film. It will be very hard for an average viewer to gather all the information provided by this movie at the first watch. But the more you watch it, more hidden elements will come to light. And when you are able to put these hidden elements together. You will realize that this movie is just a “masterpiece” which takes the legacy of Christopher Nolan Forward
If I talk about acting, Then I have to say that Robert Pattinson has really proved himself as a very good actor in these recent years. And I am sure his acting skills will increase with time. His performance is charming and very smooth. Whenever he is on the camera, he steals the focus John David Washington is also fantastic in this movie. His performance is electrifying, I hope to see more from him in the future. Other characters such as Kenneth Branagh, Elizabeth, Himesh Patel, Dimple Kapadia, Clémence Poésy have also done quite well. And I dont think there is a need to talk about Michael Caine
Talking about Music, its awesome. I dont think you will miss Hans Zimmer’s score. Ludwig has done a sufficient job. There is no lack of good score in the movie
Gotta love the editing and post production which has been put into this movie. I think its fair to say this Nolan film has focused more in its post production. The main problem in the movie is the sound mixing. Plot is already complex and some dialogues are very soft due to the high music score. It makes it harder to realize what is going on in the movie. Other Nolan movies had loud BGM too. But Audio and dialogues weren’t a problem
My humble request to everyone is to please let the movie sink in your thoughts. Let your mind grasp all the elements of this movie. I am sure more people will find it better. Even those who think they got the plot. I can bet they are wrong.
Black Box is the long awaited new movie from Christopher Nolan. The movie that’s set to reboot the multiplexes post-Covid. It’s a manic, extremely loud, extremely baffling sci-fi cum spy rollercoaster that will please a lot of Nolan fan-boys but which left me with very mixed views.
John David Washington (Denzel’s lad) plays “The Protagonist” — a crack-CIA field operative who is an unstoppable one-man army in the style of Hobbs or Shaw. Recruited into an even more shadowy organisation, he’s on the trail of an international arms dealer, Andrei Sator (Kenneth Branagh in full villain mode). Sator is bullying his estranged wife Kat (Elizabeth Debicki) oer custody of their son (and the film unusually has a BBFC warning about “Domestic Abuse”). Our hero jets the world to try to prevent a very particular kind of Armageddon while also keeping the vulnerable and attractive Kat alive.
This is cinema at its biggest and boldest. Nolan has taken a cinema ‘splurge’ gun, filled it with money, set it on rapid fire, removed the safety and let rip at the screen. Given that Nolan is famous for doing all of his ‘effects’ for real and ‘in camera’, some of what you see performed is almost unbelievable. You thought crashing a train through rush-hour traffic in “Inception” was crazy? You ain’t seen nothing yet with the airport scene! And for lovers of Chinooks (I must admit I am one and rush out of the house to see one if I hear it coming!) there is positively Chinook-p*rn on offer in the film’s ridiculously huge finale.
The ‘inversion’ aspects of the story also lends itself to some fight scenes — one in particular in an airport ‘freeport’ — which are both bizarre to watch and, I imagine, technically extremely challenging to pull off. In this regard John David Washington is an acrobatic and talented stunt performer in his own right, and must have trained for months for this role.
Nolan’s crew also certainly racked up their air miles pre-lockdown, since the locations range far and wide across the world. The locations encompassed Denmark, Estonia, India, Italy, Norway, the United Kingdom, and United States. Hoyte Van Hoytema’s cinematography is lush in introducing these, especially the beautiful Italian coast scenes. Although I did miss the David Arnold strings that would typically introduce these in a Bond movie: it felt like that was missing.
The ‘timey-wimey’ aspects of the plot are also intriguing and very cleverly done. There are numerous points at which you think “Oh, that’s a sloppy continuity error” or “Shame the production design team missed that cracked wing mirror”. Then later in the movie, you get at least a dozen “Aha!” moments. Some of them (no spoilers) are jaw-droppingly spectacular.
Perhaps the best twist is hidden in the final line of the movie. I only processed it on the way home.
And so to the first of my significant gripes with Black Box. The sound mix in the movie is all over the place. I’d go stronger than that… it’s truly awful (expletive deleted)! Nolan often implements Shakespeare’s trick of having characters in the play provide exposition of the plot to aid comprehension. But unfortunately, all of this exposition dialogue was largely incomprehensible. This was due to:
the ear-splitting volume of the sound: Hard Kill movie audiences are going to be suffering from ‘Black Boxis’! (LOL);
the dialogue is poorly mixed with the thumping music by Ludwig Göransson (Wot? No Hans Zimmer?)Hard Killa large proportion of the dialogue was through masks of varying description (#covid-appropriate). Aaron Taylor-Johnson was particularly unintelligible to my ears.
Overall, watching this with subtitles at a special showing might be advisable!
OK, so I only have a PhD in Physics… but at times I was completely lost as to the intricacies of the plot. It made “Inception” look like “The Tiger Who Came to Tea”. There was an obvious ‘McGuffin’ in “Inception” — — (“These ‘dream levels’… how exactly are they architected??”…. “Don’t worry… they’ll never notice”. And we didn’t!) In “Black Box” there are McGuffins nested in McGuffins. So much of this is casually waved away as “future stuff… you’re not qualified” that it feels vaguely condescending to the audience. At one point Sator says to Kat “You don’t know what’s going on, do you?” and she shakes her head blankly. We’re right with you there luv!
There are also gaps in the storyline that jar. The word “Black Box”? What does it mean. Is it just a password? I’m none the wiser.
The manic pace of Black Box and the constant din means that the movie gallops along like a series of disconnected (albeit brilliant) action set pieces. For me, it has none of the emotional heart of the Cobb’s marriage problems from “Inception” or /daughter separation of “Black Box”. In fact, you barely care for anyone in the movie, perhaps with the exception of Kat.
It’s a talented cast. As mentioned above, John David Washington is muscular and athletic in the role. It’s a big load for the actor to carry in such a tent-pole movie, given his only significant starring role before was in the excellent BlacKkKlansman. But he carries it off well. A worthy successor to Gerard Butler and Jason Statham for action roles in the next 10 years.
This is also a great performance by Robert Pattinson, in his most high-profile film in a long time, playing the vaguely alcoholic and Carré-esque support guy. Pattinson’s Potter co-star Clemence Poésy also pops up — rather more un-glam that usual — as the scientist plot-expositor early in the movie.
Nolan’s regular Michael Caine also pops up. although the 87-year old legend is starting to show his age: His speech was obviously affected at the time of filming (though nice try Mr Nolan in trying to disguise that with a mouth full of food!). But in my book, any amount of Caine in a movie is a plus. He also gets to deliver the best killer line in the film about snobbery!
However, it’s Kenneth Branagh and Elizabeth Debicki that really stand out. They were both fabulous, especially when they were bouncing off each other in their marital battle royale.
So, given this was my most anticipated movie of the year, it’s a bit of a curate’s egg for me. A mixture of being awe-struck at times and slightly disappointed at others. It’s a movie which needs a second watch, so I’m heading back today to give my ear drums another bashing! And this is one where I reserve the right to revisit my rating after that second watch… it’s not likely to go down… but it might go up.
(For the full graphical review, check out One Mann’s Movies on t’interweb and Facebook. Thanks.)
As this will be non-spoiler, I can’t say too much about the story. However, what I can is this: Black Box’s story is quite dynamic in the sense that you won’t understand it till it wants you to. So, for the first half, your brain is fighting for hints and pieces to puzzle together the story. It isn’t until halfway through the movie that Black Box invites you to the fantastic storytelling by Christopher Nolan.
Acting is beyond phenomenal, and I’d be genuinely surprised if neither Robert Pattinson nor John David Washington doesn’t receive an Oscar nomination for best actor. It’s also hard not to mention how good Elizabeth Debicki and Aaron Johnson both are. All around, great acting, and the dialogue amps up the quality of the movie.
The idea of this movie is damn fascinating, and while there are films that explore time-travelling, there’s never been anything quite like this. It has such a beautiful charm and for the most part, explains everything thoroughly. It feels so much more complex than any form of time-travelling we’ve seen, and no less could’ve been expected from Nolan.
Oh my lord, the score for this film fits so perfectly. Every scene that’s meant to feel intense was amped by a hundred because of how good the score was. Let me just say though, none of them will be found iconic, but they fit the story and scenes so well.
In the end, I walked out, feeling very satisfied. Nevertheless, I do have issues with the film that I cannot really express without spoiling bits of the story. There are definitely little inconsistencies that I found myself uncovering as the story progressed. However, I only had one issue that I found impacted my enjoyment. That issue was understanding some of the dialogue. No, not in the sense that the movie is too complicated, but more that it was hard to make out was being said at times. It felt like the movie required subtitles, but that probably was because, at a time in the film, there was far too much exposition.
Nevertheless, I loved this film, I’ll be watching it at least two more times, and I think most of you in this group will enjoy it. I definitely suggest watching it in theatres if possible, just so you can get that excitement.
(4/5) & (8.5/10) for those that care about number scores."
(F U L L WATCH 100 Years of Freedom: The Fort Sill Apache Tribe Centennial of the Final Release of the Chiricahua/Warm Springs Apache Prisoners of War) ❝ 2014 ❞ STREAMING .HD .M O V I E.ONLINE HD
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THIS IS A RECORD OF A TWO DAY CELEBRATION IN MARCH 2014, MARKING THE CENTENNIAL OF THE END OF THE 28 YEAR PERIOD DURING WHICH THE CHIRICAHUA APACHES-- MEN, WOMEN AND CHILDREN--WERE HELD BY THE UNITED STATES ARMY AS "PRISONERS OF WAR."
A record of the the Fort Sill Apache Tribe's Centennial celebration of the final release of the Chiricahua/Warm Springs Apache Prisoners of War, held in Apache and Lawton and Fort Sill, Oklahoma, on March 7, 8, 2014. Features interviews with participants and highlights of a very meaningful, two day celebration/commemoration. One Apache elder interviewee sums up the two day celebration: at the Sunrise ceremony she could feel the ancestors and they were crying because of the prisoner of war experience, but happy to have finally gotten their freedom.
Watch Now ! The Trial of the Chicago 7 Online Full Movie Hd
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During the 1968 Democratic National Convention in Chicago, there were massive demonstrations against the Vietnam War, which was reaching its peak. When a curfew was finally instated, this led to even further protests, eventually leading to a police riot. Following this, seven of the demonstrators (Abbie Hoffman, Jerry Rubin, Bobby Seale, John Froines, Tom Hayden, Lee Weiner, and David Dellinger) were tried for conspiracy. This is the story of the trial that followed.
The story of 7 people on trial stemming from various charges surrounding the uprising at the 1968 Democratic National Convention in Chicago, Illinois.
In Chicago 1968, the Democratic Party Convention was met with protests from activists like the moderate Students for a Democratic Society led by Tom Hayden and the militant Yippies led by Abbie Hoffman and Jerry Rubin, which led to violent confrontations with the local authorities. As a result, seven of the accused ringleaders are arraigned on charges like Conspiracy by the hostile Nixon administration, including Bobby Seale of the Black Panthers who was not involved in the incident. What follows is an unfair trial presided by the belligerent Judge Hoffman (No relation) and prosecuted by a reluctant but duty-bound Richard Schultz. As their pro bono lawyers face such odds, Hayden and his fellows are frustrated by the Yippies' outrageous antics undermining their defense in defiance of the system even while Seale is denied a chance to defend himself his way. Along the way, the Chicago 7 clash in their political philosophies even as they learn they need each other in this fight.
What was intended to be a peaceful protest at the 1968 Democratic National Convention turned into a violent clash with police and the National Guard. The organizers of the protest--including Abbie Hoffman, Jerry Rubin, Tom Hayden, and Bobby Seale--were charged with conspiracy to incite a riot. The trial that followed was one of the most notorious in history.
Watch Now ! The Sex, Prawns & Rock 'n' Roll Test Online Full Movie Hd
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Famous Danish police investigator Jørn Moos solved Denmarks most notorious crime case, the infamous terror-related Blekinge-street-gang-case, where the lead trace was found in a car. Now Jørn has to investigate three cars.
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Despite his devotion to his hometown of Salem (and its Halloween celebration), Hubie Dubois is a figure of mockery for kids and adults alike. But this year, something is going bump in the night, and it's up to Hubie to save Halloween.
Good-natured but eccentric community volunteer Hubie Dubois finds himself at the center of a real murder case on Halloween night. Despite his devotion to his hometown of Salem, Massachusetts (and its legendary Halloween celebration), Hubie is a figure of mockery for kids and adults alike.
Watch Now ! Rebecca Online Full Movie Hd
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The film begins with a female voiceover: "Last night I dreamt I went to Manderley again", to images of a ruined country manor.The heroine is a very young (and nameless) woman (Joan Fontaine), a paid companion to the wealthy but obnoxious Edythe Van Hopper (Florence Bates). The heroine meets the aristocratic widower Maximilian (Maxim) de Winter (Laurence Olivier) in Monte Carlo. They fall in love, and within two weeks they are married.Maxim takes his new bride to Manderley, his country house in Cornwall, England. The housekeeper, Mrs. Danvers (Judith Anderson), is domineering and cold, and is obsessed with the great beauty, intelligence and sophistication of the first Mrs. de Winterthe eponymous Rebeccaand preserves her former bedroom as a shrine. Rebecca's sleazy cousin Jack Favell (George Sanders) appears at the house when Maxim is away.The new Mrs. de Winter is intimidated by her responsibilities and begins to doubt her relationship with her husband. The continuous reminders of Rebecca overwhelm her; she believes that Maxim is still deeply in love with Rebecca. She also discovers that her husband sometimes becomes very angry at her for apparently innocent actions.Trying to be the perfect wife, the young Mrs. de Winter convinces Maxim to hold a costume party as he did with Rebecca. The heroine tries to plan her own costume, but Mrs. Danvers suggests she copy the beautiful outfit in the portrait of Caroline de Winter, an ancestor. At the party, when the costume is revealed to Maxim he is appalled; Rebecca wore the same outfit at their ball a year ago, shortly before she died. The heroine confronts Danvers, who tells her she can never take Rebecca's place, and almost manages to convince her to jump to her death. A sudden commotion reveals that a ship is sinking.The heroine rushes outside, where she hears that during the rescue a sunken boat has been found with Rebecca's body in it. Maxim admits that he had earlier misidentified another body as Rebecca's, in order to conceal the truth. At the very beginning of their marriage Rebecca had told Maxim she intended to continue the promiscuous and perverse sex life she had led before the marriage. He hated her but they agreed to an arrangement: she would act as the perfect wife and hostess in public, and he would ignore Rebecca's privately conducted affairs. Rebecca grew careless and complacent in her dealings, including an ongoing affair with her cousin Jack Favell. One night, Rebecca informed Maxim that she was pregnant with Favell's child. During the ensuing heated argument she fell, hit her head and died. Maxim took the body out in a boat which he then scuttled.Shedding the remnants of her girlish innocence, Maxim's wife coaches her husband on how to conceal the mode of Rebecca's death from the authorities. In the police investigation, deliberate damage to the boat points to suicide. Favell shows Maxim a note from Rebecca which seems to indicate she was not suicidal. Favell then tries to blackmail Maxim, but Maxim tells the police. Maxim is now under suspicion of murder. The investigation then focuses on Rebecca's secret visit to a London doctor (Leo G. Carroll), which Favell assumes was due to her illicit pregnancy. However, the coroner's interview with the doctor reveals that Rebecca was mistaken in believing herself pregnant; instead she had a late-stage cancer.The doctor's evidence persuades the coroner to render a finding of suicide. Only Frank Crawley (Maxim's best friend and manager of the estate), Maxim, and his wife will know the full story: that Rebecca lied to Maxim about being pregnant with another man's child in order to goad him into killing her, an indirect means of suicide.
As Maxim returns home from London to Manderley, he finds the manor on fire, set alight by the deranged Mrs. Danvers. The second Mrs. de Winter and the staff manage to escape the blaze, but Danvers dies in the flames.
A self-conscious woman juggles adjusting to her new role as an aristocrat's wife and avoiding being intimidated by his first wife's spectral presence.
A shy lady's companion, staying in Monte Carlo with her stuffy employer, meets the wealthy Maxim de Winter (Sir Laurence Olivier). She and Max fall in love, marry, and return to Manderley, his large country estate in Cornwall. Max is still troubled by the death of his first wife, Rebecca, in a boating accident the year before. The second Mrs. de Winter (Joan Fontaine) clashes with the housekeeper, Mrs. Danvers (Dame Judith Anderson), and discovers that Rebecca still has a strange hold on everyone at Manderley.
On vacation in Monte Carlo, wealthy widower Maxim de Winter (Sir Laurence Olivier) meets a young woman who is working as a lady's companion to Mrs. Van Hopper (Florence Bates). They spend a good deal of time together and it leads to love and marriage. The second Mrs. de Winter (Joan Fontaine) is somewhat overwhelmed however when, after their honeymoon, they return to his vast estate, Manderley. She not only has to deal with a huge house and numerous servants, but also with the dour and domineering housekeeper, Mrs. Danvers (Dame Judith Anderson). She soon feels inferior and a disappointment to everyone, particularly her husband Max and Mrs. Danvers - who still adores her dead mistress. Not all is as it seems however, particularly after a striking discovery is made in the sea near Manderley.
A young woman is in Monte Carlo, working as a ladies' companion, when she meets the recently-widowered, and very wealthy, Maxim de Winter (Sir Laurence Olivier). They fall in love and get married soon thereafter. The de Winters take up residence in Maxim's family estate, Mandalay. Mrs. de Winter (Joan Fontaine) finds it hard to fit in. The presence of Maxim's deceased wife, Rebecca, seems to permeate through the house and Mrs. de Winter can't shake the feeling that she is constantly being compared to her, and that she is an interloper. Mrs. Danvers (Dame Judith Anderson), Rebecca's personal maid, also takes care to make things as uncomfortable as possible for the new Mrs. de Winter. Mrs. de Winter has the constant fear that memories of Rebecca will drive her and Maxim apart. Over time, she grows to know more and more about Rebecca.
Maxim de Winter (Sir Laurence Olivier), still troubled by the death of his first wife Rebecca, falls in love with a shy ladies' companion. They get married, but the second Mrs. de Winter (Joan Fontaine) discovers that Rebecca still has a strong hold on everyone in the house, particularly on Mrs. Danvers (Dame Judith Anderson), the housekeeper, who begins driving the young wife to madness.
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